![]() As a young girl living in the remote mountains of Colorado, Vivian (Bruckner) watched helplessly as her family was murdered by a pack of angry men for the secret they carried in their blood. Vivian survived the attack by running into the woods and changing into a wolf. Ten years later, Vivian is living a relatively safe and normal life in Bucharest, Romania. Vivian spends her days working in a chocolate shop and nights trawling the city’s underground clubs, fending off the reckless antics of her cousin Rafe, and his gang of delinquents he refers to as "The Five." ![]() Experience the magic, fun, and adventure of ALICE IN WONDERLAND like never before in this new Masterpiece Edition 2-Disc set. Join Alice as she falls into the madcap world of Wonderland and meets extraordinary characters such as Tweedledee and Tweedledum, the Mad Hatter, the Queen of Hearts, and the frantically late White Rabbit. And the fun continues with new bonus features including the Virtual Wonderland Party, the newly discovered Cheshire Cat song "I'm Odd," Mickey's "Thru the Mirror" animated short, plus sing-along songs and all-new games. Your family will want to experience this timeless Disney masterpiece again and again! ![]() Full of boundless adventure and boisterous fun, Disney's 17th animated masterpiece is the original film classic starring 101 of the world's most lovable, huggable Dalmatians and their hilariously evil captor, Cruella De Vil! A charming London neighborhood is home to Roger and Anita, whose beloved Dalmatians, Pongo and Perdita, have become the proud parents of 15 puppies. But when Cruella and her bumbling henchmen, Horace and Jasper, unexpectedly appear, the pups soon disappear — along with every other Dalmatian puppy in town! Now Pongo and Perdita must rally their animal friends and use the power of the "Twilight Bark" to find Cruella's secret hideaway and free the puppies. Featuring the unforgettable toe-tapping song "Cruella De Vil," 101 DALMATIANS is one of the most cherished and sought-after Disney classics of all time — and among the last films to bear the personal touch of Walt Disney. ![]() Disney's first animated feature in CinemaScope is now available in widescreen presentations on video, and it is definitely good to get the whole picture. One of the studio's most original and charming movies, the 1955 film tells the story of a rakish, street-smart dog named Tramp, who helps an aristocratic pooch named Lady out of some trouble and then commences a romance with her. Sweet, funny scenes abound, and the combination of innocence and sophistication would have done well in a live-action picture. Peggy Lee cowrote the songs and provides the voice of the Siamese cats in one of the film's best-known musical sequences. This newly restored version spruces up both sonics and visuals, and a letterbox version is available. —Tom Keogh ![]() Believing in oneself is not always easy and it proves especially difficult for a bear of very little brain named Pooh and his friends when Christopher Robin mysteriously disappears from the Hundred Acre Woods one fall day. After charging Pooh Bear to remember that "you're braver than you believe, stronger than you seem and smarter than you think," Christopher Robin fails to appear in the woods the next morning. After mis-reading a honey-covered note from Christopher Robin, Pooh and his friends Rabbit, Tigger, Piglet, and Eeyore head out to find and rescue Christopher Robin from a forbidding place called "Skull." The journey is terrifying and difficult and each of the friends is besieged by insecurity about his apparent inadequacies. Rabbit begins to doubt his intelligence, Piglet his bravery, Tigger his strength, and Pooh his overall competence, but eventually the friends discover their inherent strengths and come to realize that perception plays a key role in fear and that the power of friendship can overcome even the biggest obstacles. (Ages 2 and older) —Tami Horiuchi ![]() Reese Witherspoon, Jake Gyllenhaal and Meryl Streep star in this nail- biting thriller about a man who mysteriously disappears on a flight from South Africa to Washington DC and the government conspiracy put in place to cover it up. ![]() Sometimes you find love where you'd least expect it. Just ask Lars (Academy Award-Nominee* Ryan Gosling), a sweet but quirky guy who thinks he's found the girl of his dreams in a life-sized doll named Bianca. Lars is completely content with his artificial girlfriend, but when he develops feelings for Margo, an attractive co-worker, Lars finds himself lost in a hilariously unique love triangle, hoping to somehow discover the real meaning of true love. Offbeat and endearing, this romantic comedy takes a fresh look at dating and relationships and dares to ask the question: What's so wrong with being happy? | ![]() FOUR TEENS MAKE A FATAL MISTAKE WHEN TRYING TO HIDE THE BODY OF AN ACCIDENT VICTIM. A HORROR HIT WITH ENOUGH TWISTS TO KEEP 'EM GUESSING AND ENOUGH TURNS TO KEEP 'EM SCREAMING LATE INTO THE NIGHT. ![]() The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filming Hunter S. Thompson's psychotropic masterpiece of "gonzo" journalism. Unfortunately Cox departed due to the usual "creative differences," and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke—an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, "gonzo" journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humor of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves—like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. —Jeff Shannon ![]() The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filming Hunter S. Thompson's psychotropic masterpiece of "gonzo" journalism. Unfortunately Cox departed due to the usual "creative differences," and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke—an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, "gonzo" journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humor of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves—like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. —Jeff Shannon ![]() Moira Kelly (Dangerous Beauty, "The West Wing") and D. B. Sweeney (Roommates, Memphis Belle) star as polar opposites who unite on the ice for a shot at Olympic gold in this inspirational romantic comedy from acclaimed director Paul M. Glaser (The Running Man). Brimming with wit, charm and plenty of breathtaking sports action, The Cutting Edge is a real winner! She's a rich and refined pairs figure skater whose prima donna attitude has her skating solo. He's a brash, blue-collar hockey champion with a new injury and no future. With nothing in common but their dream of reaching the Olympics, Kate and Doug are each other's last resort. Reluctantly, they join forces, but its not long before the barbsand sparksstart flying as the unlikely pair skate towards the opportunity of a lifetime: a chance at a medal...and a chance at love. ![]() This obligatory girls' version of Stand by Me begins with actors Melanie Griffith, Rita Wilson, Demi Moore, and Rosie O'Donnell doing a lousy job of playing adult versions of the film's youthful protagonists. The idea is that this quartet of characters is having a reunion, which serves as a preface to the main story about school chums who make a pact to stay close and supportive through thick and thin. The trouble is that Griffith, Moore, Wilson, and O'Donnell look like they've rehearsed their scenes for no more than a few minutes, and after boring us silly there's little reason to get excited about anything else. Still, it's nice to have a supporting cast that includes Janeane Garofalo and Bonnie Hunt, while among the girls are three young actresses who have been burning up the road in recent years: Christina Ricci (The Opposite of Sex), Thora Birch (A Clear and Present Danger), and Gaby Hoffmann (Strike). —Tom Keogh ![]() This obligatory girls' version of Stand by Me beginswith actors Melanie Griffith, Rita Wilson, Demi Moore, and Rosie O'Donnell doing a lousy job of playing adult versions of the film's youthful protagonists. The idea is that this quartet of characters is having a reunion, which serves as a preface to the main story about school chums who make a pact to stay close and supportive through thick and thin. The trouble is that Griffith, Moore, Wilson, and O'Donnell look like they've rehearsed their scenes for no more than a few minutes, and after boring us silly there's little reason to get excited about anything else. Still, it's nice to have a supporting cast that includes Janeane Garofalo and Bonnie Hunt, while among the girls are three young actresses who have been burning up the road in recent years: Christina Ricci (The Opposite of Sex), Thora Birch (A Clear and Present Danger), and Gaby Hoffmann (Strike). —Tom Keogh |
















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