  Freddy Benson (Steve Martin) is a crass, loud American. Laurence Jameson (Michael Caine) is a suave, urbane European. Their common ground is that they both are confidence men, and they meet in a train compartment as Benson is scamming his way across Europe, taking advantage of women's generosity. The two are forced into a rivalry, which culminates in a wager to see who can be the first to bilk $50,000 out of American heiress Janet Colgate (Glenne Headly). Their game of one-upmanship is, of course, brought to ridiculous heights as things progress. Written by Paul Henning (the mind behind such TV shows as Green Acres and The Beverly Hillbillies), Dirty Rotten Scoundrels is an uneven but funny mix of Martin's physical comedy and Caine's oily charms. Martin's first role as cohort is to assume the persona of Ruprecht, the "special" younger brother intended to scare off potential brides. As Ruprecht, he comes off as a cross between The Andy Griffith Show's Ernest T. Bass and Jerry Lewis; hilarious as it is, it doesn't quite fit with the rest of the film. Once the wager is on, though, Martin slips into his overly earnest mode as an American military man suffering from hysterical paralysis, with Caine as a psychologist who takes on his case. All in all, Dirty Rotten Scoundrels (a loose remake of the 1964 film Bedtime Story with David Niven and Marlon Brando) is a droll, intelligent comedy, short on knee slappers but long on comic situations and characterizations. —Jerry Renshaw  In THE STEPFORD WIVES, Walter (Broderick) and Joanna (Kidman) Eberhart are the newest residents in a suburban neighborhood in Stepford. Seeing that the women she surrounds herself with all seem to be cut from the same mold, and are seemingly incapable of thinking for themselves, Joanna begins to think something suspicious is going on in Stepford. Upon realizing that her friends have been replaced by robots and that she's next on the list, Joanna and Walter decide to turn the tables and expose the truth about what's really been going on in Stepford.  Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)  Pacino plays a ruthless Cuban gangster involved in a cocaine empire, in this violent crime epic inspired by the 1932 classic of the same title.  Pacino plays a ruthless Cuban gangster involved in a cocaine empire, in this violent crime epic inspired by the 1932 classic of the same title.  This sprawling epic of bloodshed and excess, Brian De Palma's update of the classic 1932 crime drama by Howard Hawks, sparked controversy over its outrageous violence when released in 1983. Scarface is a wretched, fascinating car wreck of a movie, starring Al Pacino as a Cuban refugee who rises to the top of Miami's cocaine-driven underworld, only to fall hard into his own deadly trap of addiction and inevitable assassination. Scripted by Oliver Stone and running nearly three hours, it's the kind of film that can simultaneously disgust and amaze you (critic Pauline Kael wrote "this may be the only action picture that turns into an allegory of impotence"), with vivid supporting roles for Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio, and Robert Loggia. —Jeff Shannon  This sprawling epic of bloodshed and excess, Brian De Palma's update of the classic 1932 crime drama by Howard Hawks, sparked controversy over its outrageous violence when released in 1983. Scarface is a wretched, fascinating car wreck of a movie, starring Al Pacino as a Cuban refugee who rises to the top of Miami's cocaine-driven underworld, only to fall hard into his own deadly trap of addiction and inevitable assassination. Scripted by Oliver Stone and running nearly three hours, it's the kind of film that can simultaneously disgust and amaze you (critic Pauline Kael wrote "this may be the only action picture that turns into an allegory of impotence"), with vivid supporting roles for Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio, and Robert Loggia. —Jeff Shannon |  IN THIS EROTIC THRILLER, CAN THE SOLE WITNESS TO A GRUESOME MURDER BELIEVE EVERYTHING THAT HE SEES?  The alumni cast of a cult space TV show have to live out their roles when an alien race needs their help.  Warren Schmidt (Nicholson) is about to taste a not so sweet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions.  Fresh off the bus from iowa, Joe (Jerry O'Connell) is just trying to make it in New York, but he's got no job, no girl and no place to live. But life changes for Joe as he finds an apartment, along with 50,000 singing, dancing roach roommates who teach  Henry Poole is Here tells the funny, poignant and uplifting story of a disillusioned man who attempts to hide from life in a rundown suburban tract home only to discover he cannot escape the forces of hope.  See the world from a kid's-eye view with Matilda, a modern fairytale that mixes hilarious humor with the magical message of love. Mrs. Doubtfire's Mara Wilson stars as Matilda, a super-smart little girl who's woefully misunderstood by her parents (Danny DeVito and Rhea Perlman), her brother, and an evil school principal. But with the help of a brave best friend and a wonderful teacher, Matilda discovers she doesn't have to get mad to get even.  Danny DeVito's adaptation of the Roald Dahl book for children is mostly just fine, helped along quite a bit by the charming performance of Mara Wilson (Mrs. Doubtfire) as young Matilda, a brilliant girl neglected by her stupid, self-involved parents (DeVito and Rhea Perlman). Ignored at home, Matilda escapes into a world of reading, exercising her mind so much she develops telekinetic powers. Good thing, too: sent off to a school headed by a cruel principal, Matilda needs all the help she can get. DeVito takes a highly stylized approach that is sometimes reminiscent of Barry Sonnenfeld (director of Get Shorty, a DeVito production), and his judgment is not the best in some matters, such as letting the comic-scary sequences involving the principal go on too long. But much of the film is delightful and funny. —Tom Keogh |
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Dec 10, 2022
Dec 10, 2022
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