Oliver Stone would like to have the last word on America's media culture of voyeurism and violence, but whatever he's trying to say in this grisly, unconventional movie comes across terribly garbled. Woody Harrelson and Juliette Lewis play traveling serial killers who become television celebrities when a Geraldo-like personality (Robert Downey Jr.) turns their madness into the biggest story in the country. Stone extensively rewrote an original script by Quentin Tarantino, and he employs a mosaic of different film stocks, video, and pop pastiches to create a sense of blurred lines between visual phenomena. (The background on Lewis's character's life as an abused child, for instance, is presented as a sitcom starring Rodney Dangerfield.) But the result of these experiments is a pompous, even amateurish effort at grasping the reins of a real-life national debate. One almost wants to tell Stone to sit down and raise his hand next time if he thinks he has something to say. The controversial director would like Natural Born Killers to be nothing less than a monumental achievement, but it's one of the emptier entries in his filmography. —Tom Keogh

Oliver Stone recreates the towering, true story of Alexander the Great (Colin Farrell), who in the 4th Century BC conquered Greece, Persia, Afghanistan and India- 90% of the known world. Against massive armies of chariots and elephants, he never lost a battle. Visionary, explorer, dreamer- he was also a tender son, torn by his mother's (Angelina Jolie) burning love and ambition and desperate for his father's (Val Kilmer) approval. His dream shaped the world we live in today

DVD Features:
Audio Commentary:Oliver Stone and historian Robin Lane Fox.
Documentaries:Resurrecting Alexander, explores the filming of Alexander. Perfect is the Enemy of God, provides an in depth look at the details that go into the filming of an epic.
Featurette:Soundtrack featurette: Vangelis Scores Alexander .

Thanks in large part to its meticulous re-creation of the late-1960s and early-'70s rock scene and the uncannily authentic performance by Val Kilmer as legendary Doors frontman Jim Morrison, Oliver Stone's hypnotic film biography is standing the test of time. Capturing the carefree mood of the Age of Aquarius, the film charts the meteoric rise of the Doors on the California club circuit (including a memorable scene showing the creation of the hit "Light My Fire"), and chronicles the band's exploits with hallucinogenics and Morrison's battles against charges of public indecency on stage. Kilmer's performance is hauntingly perfect, and performances by Meg Ryan, Kathleen Quinlan, and Kyle MacLachlan are similarly impressive. The movie doesn't fully probe the depths of Morrison's character, but as a portrait of excess it is vividly true to the spirit of the self-destructive poet known to his fans as "The Lizard King." —Jeff Shannon

Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media. Studio: Lions Gate Home Ent. Release Date: 07/11/2006 Starring: Woody Harrelson Robert Downey Jr. Run time: 182 minutes Rating: Nr Director: Oliver Stone

"World Trade Center is a film about heroism and the best in all of us," raves Good Morning America’s Joel Siegel. Academy Award winner, Nicolas Cage stars in the unforgettable true story of the courageous rescue and survival of two Port Authority policemen who were trapped in the rubble on September 11, 2001 after they volunteered to go in and help. Academy Award winning director, Oliver Stone reveals an intimate look at the events of the day as seen through the eyes of the survivors, their families and their rescuers

Robin Williams returns as the voice of the hyperactive genie in this, the second direct-to-video sequel to Disney's hit animated feature. Aladdin, the street beggar turned Prince, risks all to find his father among the cutthroat 40 thieves and joins his quest to find a Midas-like stone that turns everything it touches into gold. A significant cut above most made-for-video animation, this energetic adventure largely leaves Princess Jasmine and the genie behind for a father-and-son quest. Guest voice Jerry Orbach suggests Sean Connery with his thick-as-molasses delivery as the master thief Sa'luk and, despite his limited screen time, Williams once again delights with his wild flights of fantasy as the big blue Genie. A rousing tale full of last-minute escapes and spectacular, kid-sized thrills that even parents will find entertaining. —Sean Axmaker

When Theresa (Zoe Saldana) brings fiance Simon Green (Ashton Kutcher) home for her parents' 25th wedding anniversary, she's neglected to mention one tiny detail - he's white. Determined to break his daughter's engagement, Percy Jones (Bernie Mac) does everything he can to make Simon feel "apart" of the family, from running his credit report to locking him in the basement at night. But when Percy gleefully exposes Simon's most embarrassing secret, it leads to an outrageous series of comic complications that only goes to prove that with a dad like Percy Jones, father doesn't always know best.

Beautiful restaurant owner Amanda Shelton (Sarah Michelle Gellar) is falling head over heels for handsome, hard-driving executive Tom Bartlett (Sean Patrick Flanery). Unfortunately, Tom is too busy to recognize that she's truly the girl of his dreams until Amanda puts him under her tantalizing spell!

Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)

ALEX WHITMAN IS A STRAIGHT-LACED CORPORATE TYPE WHO MEETS ISABEL FUENTES, A FIERY MEXICAN-AMERICAN PHOTOGRAPHER. A SINGLE NIGHT OF PASSION LEADS TO MARRIAGE AND TWO PEOPLE FROM VERY DIFFERENT CULTURES MUST ADJUST TO A NEW LIFESTYLE TOGETHER AND OVERCOME THEIR PARENTS' DISMAY AT THEIR UNION.

ALEX 'HITCH' HITCHENS IS A TRUE URBAN MYTH - A LEGENDARY NEW YORK CITY 'DATE DOCTOR' WHO, FOR A FEE HAS HELPED HUNDREDS OF MEN WOO THE WOMEN OF THEIR DREAMS. THE ULTIMATE PROFESSIONAL BACHELOR, HITCH DISCOVERS THAT ALL OF HIS TRIED & TRUE TRICKS OF THE TRADE ARE NO MATCH FOR SARA, THE ONE WOMAN HE TRULY LOVES

A "modern" young woman of the 16th century, Danielle (Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her scheming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)!Now you can relive this captivating, contemporary retelling of the classic fairytale.

Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty—not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention—the costume adventure with middling artistic ambition but real audience appeal—Ever After is a surprisingly delightful film. —Tom Keogh