This huge 1993 hit for Robin Williams and director Chris Columbus (Home Alone), based on a novel called Alias Madame Doubtfire by Anne Fine, stars Williams as a loving but flaky father estranged from his frustrated wife (Sally Field). Devastated by a court order limiting his time with the children, Williams's character disguises himself as a warm, old British nanny who becomes the kids' best friend. As with Dustin Hoffman's performance in Tootsie, Williams's drag act—buried under layers of latex and padding—is the show, and everything and everyone else on screen serves his sometimes frantic role. Since that's the case, it's fortunate that Williams is Williams, and his performance is terribly funny at times and exceptionally believable in those scenes where his character misses his children. Playing Williams's brother, a professional makeup artist, Harvey Fierstein has a good support role in a bright sequence where he tries a number of feminine looks on Williams before settling on Mrs. Doubtfire's visage. —Tom Keogh

Theatrically released in 1991 as Highlander II: The Quickening, this sequel was later reedited and gained a small but loyal following (prompting a spinoff TV series), but at the time of its release critic Roger Ebert called it "the most hilariously incomprehensible movie ... almost awesome in its badness." In other words, you might find some guilty pleasure in this chaotic sequel to 1986's Highlander, in which Christopher Lambert reprises his role as Connor MacLeod, a member of the alien race known as "Immortals," banished to Earth from his home planet Zeist some 500 years ago. In the year 1999, Lambert owns a corporation that has created a shield to protect the Earth following the depletion of the ozone layer. But the shield is seized by an evil cartel, and Virginia Madsen plays a scientist who assists MacLeod in his mission to destroy the cartel. Sean Connery also reprises his role from Highlander as the Scottish Immortal named Ramirez (?!), but by the time he starts engaging in dashing swordplay you may wonder if he's wandered in from another movie altogether. —Jeff Shannon

Theatrically released in 1991 as Highlander II: The Quickening, this sequel was later reedited and gained a small but loyal following (prompting a spinoff TV series), but at the time of its release critic Roger Ebert called it "the most hilariously incomprehensible movie ... almost awesome in its badness." In other words, you might find some guilty pleasure in this chaotic sequel to 1986's Highlander, in which Christopher Lambert reprises his role as Connor MacLeod, a member of the alien race known as "Immortals," banished to Earth from his home planet Zeist some 500 years ago. In the year 1999, Lambert owns a corporation that has created a shield to protect the Earth following the depletion of the ozone layer. But the shield is seized by an evil cartel, and Virginia Madsen plays a scientist who assists MacLeod in his mission to destroy the cartel. Sean Connery also reprises his role from Highlander as the Scottish Immortal named Ramirez (?!), but by the time he starts engaging in dashing swordplay you may wonder if he's wandered in from another movie altogether. —Jeff Shannon

THE HIGH ENERGY STORY ABOUT THREE NEWLY DISCOVERED SMALL-TOWN MUSICIANS WHO GET TANGLED UP IN AN EVIL PLOT TO CONTROL THE YOUTH OF AMERICA. A PSYCHOTIC STUDIO EXECUTIVE IS MANIPULATING THE LUCRATIVE TEEN MARKET BY MIXING SUBLIMINAL ADVERTISING MESSAGES INTO THE MUSIC OF HER BANDS.

Solid entertainment from a new group of Disney animators. The story source is a Chinese fable about a young girl who disguises herself as a man to help her family and her country. When the Huns attack China, a call to arms goes out to every village, and Mulan's father, being the only man in the family, accepts the call. Mulan (voiced by Ming-Na Wen, sung by Lea Salonga) has just made a disastrous appearance at the Matchmaker and decides to challenge society's expectations (being a bride). She steals her father's conscription notice, cuts her hair, and impersonates a man to join the army. She goes to boot camp, learning to fit in with the other soldiers with some help from her sidekick, Mushu, a wise-cracking dragon (voiced by Eddie Murphy). She trains, and soon faces the Huns eye-to-eye to protect her Emperor.

The film is gorgeous to look at, with a superior blend of classic and computer-generated animation. Directors Tony Bancroft and Barry Cook make the best of it: a battle in the snowy mountains is as thrilling as the best Hollywood action films. The menacing Huns are not cute but simple and bad. The wickedness is subtle, not disturbing. The film is not a full-fledged musical, as it has only five songs (the best, "Be a Man," is sung during boot camp). Eddie Murphy is an inspired choice for the comic-relief dragon, but his lines are not as clever as Robin Williams's in Aladdin. These are minor quibbles, though. The story is strong, and Mulan goes right to the top of Disney animated heroines; she has the right stuff. —Doug Thomas

"Oh my God, I'm a trend pimp!" cries rocker Josie McCoy (Rachel Leigh Cook) when she discovers that she and her best friends Melody (Tara Reid) and Val (Rosario Dawson)—collectively known as the Pussycats—have been recruited in a plot to brainwash America's youth into a frenzy of mindless consumerism. Unbeknownst to the Pussycats, subliminal messages in their chart-topping hit "Pretend to Be Nice" are forcing kids to follow the latest prefab trends as if their lives depended on it. Josie's going to be the Next Big Thing, and to her manager (Alan Cumming) and Megarecords mogul Fiona (Parker Posey), the other Pussycats are expendable baggage in their scheme to dictate the cool quotient of teenagers everywhere.

Shrewdly concocted by codirectors Harry Elfont and Deborah Kaplan, this wildly comedic update of the Archie comic book (and early-'70s cartoon show) is a deliriously entertaining assault on pop-cultural flotsam, with a disposable boy-band (aptly named "Du Jour") and cross-product marketing ploys that perpetuate blind conformity among gullible teens. Blatant product placements dominate virtually every colorful scene as Josie gamely embraces the cultural blight it claims to criticize, but this isn't Hollywood hypocrisy. Elfont and Kaplan willfully bite the hand that feeds them, and they're having loads of fun while advocating independent opinion. Cook and her pals are more honestly sexy than Britney Spears, and they make genuinely catchy music (although Cook's vocals were dubbed). It's pure fluff, but Josie and the Pussycats was conceived in such high spirits that it's hard to imagine how it could be improved. Even the obligatory end-credit outtakes are utterly irresistible. —Jeff Shannon

WHEN A PRE-MED STUDENT MEETS A HANDSOME PRINCE, SHE MUST DECIDE BETWEEN FOLLOWING HER HEART AND FOLLOWING HER DREAM.

WHEN A PRE-MED STUDENT MEETS A HANDSOME PRINCE, SHE MUST DECIDE BETWEEN FOLLOWING HER HEART AND FOLLOWING HER DREAM.

Academy Award® winner Sofia Coppola directs an electrifying yet intimate re-telling of the turbulent life of history's favorite villainess, Marie Antoinette. Kirsten Dunst portrays the ill-fated child princess who married France's young and indifferent King Louis XVI Jason Schwartzman. Feeling isolated in a royal court rife with scandal and intrigue, Marie Antoinette defied both royalty and commoner by living like a rock star, which served only to seal her fate.

It's 1985 and Adam Sandler is the ultimate master of ceremonies...until he is left at the altar at his own wedding. He starts to pick up the pieces of his heart after meeting Drew Barrymore but she's about to have a wedding of her own.

DVD Features:
Interactive Menus
Music Video
Photo gallery
Production Notes

You're better off having been born after, say, 1965, if you really want to enjoy this corny romantic comedy and its abundant references to the MTV culture of the mid-1980s—and even then the odds are only 50-50 that you'll have a shamelessly good time. But a lot of people beat those odds, because The Wedding Singer was a surprise box-office hit when released in early 1998, and it resulted in Saturday Night Live graduate Adam Sandler's salary going ridiculously sky-high. It's a schizophrenic film about a seemingly schizophrenic wedding singer (Sandler) who's charmingly sweet to some people but a tongue-lashing maniac to others, probably out of frustration over his fading ambition as a wannabe rock star (not to mention Sandler's penchant for loud-mouthed lunacy). When he meets an admiring young waitress (delightfully played by Drew Barrymore), it's love at first sight, complicated by their pending marriages to much less appealing fiancés. The plot then contorts itself to accommodate this contrived will-they-or-won't-they? scenario, so you're better off ignoring the love story and focusing on the comedy, which is sporadic but occasionally hilarious. This is also a lighter, friendlier Sandler than moviegoers had seen before, which probably accounts for the movie's success. Toss in a fine supporting cast—including a show-stopping drunk act by indie-movie stalwart Steve Buscemi—and you've got the ingredients for a no-brainer that's ultimately more fun than it is annoying. —Jeff Shannon

Hilary Duff stars as Terri, a small town girl with the voice of a big-time singer. Following her dreams, she heads to L.A. for the summer at a famous music school. Life in the big city is full of surprises, but with the help of some cool friends, an encouraging teacher, and a super cute boy, this All-American girl will have the time of her life.

DVD Features:
Deleted Scenes:w/optional directot commentary
Featurette:Behind-The Scenes
Full Screen Version:Both Widescreen & Fullscreen versions on one disc
Music Video:Hilary Duff's "Fly"
Other:Interactive Jam—compose your own song and get critiqued by a professor
Outtakes
Theatrical Trailer

Johnny Depp became an instant heartthrob and certified star in this second season of the Fox-TV sensation co-created by Patrick Hasburgh and Stephen J. Cannell (THE GREATEST AMERICAN HERO, SILK STALKINGS). Depp stars as Officer Tom Hanson, who along with Doug Penhall (Peter DeLuise), Harry Ioki (Dustin Nguyen) and Judy Hoffs (Holly Robinson Peete) forms an undercover police unit to infiltrate high school crime. Under the command of Captain Fuller (Steven Williams), these tough but compassionate young cops tackle such explosive issues as steroid abuse, crack addiction, racial violence, teen suicide, AIDS, Ioki’s escape from Saigon and much more. 21 JUMP STREET – THE COMPLETE SECOND SEASON includes all 22 action-packed episodes from the hit ‘87/’88 season featuring such guest stars as Christina Applegate, Jason Priestley, Pauly Shore and Brad Pitt in one of his first screen roles.