The Hank Ketcham comic strip about a mischievous boy named Dennis Mitchell (Mason Gamble) becomes a film directed by Nick Castle (The Last Starfighter) based on a weak script by John Hughes (The Breakfast Club). Gamble is fine and Walter Matthau is persuasive as the grouchy neighbor Mr. Wilson, but Hughes spoils everything by throwing in a formulaic subplot about a criminal (Christopher Lloyd) who doesn't know what he's getting into by abducting Dennis. Been there, done that. —Tom Keogh

At the time of its original release in 1984, this modestly budgeted sci-fi excursion had the distinction of offering some of the first examples of purely computer-generated animation, an apt (and frugal) special-effects solution for a movie with a plot line rooted in computer games. Both the computer-generated visuals and the arcade game now look quaint, but writer-director Nick Castle's affable, good- hearted adventure holds up nicely, thanks to a clever premise—the title game is actually a test for prospective starship pilots, planted by embattled aliens under siege from an evil invader. When a restless teenager (Lance Guest) racks up an impressive score, he finds himself spirited away to the besieged planet and thrust into the midst of an intergalactic war. Apart from Castle's skill at contrasting his extraterrestrial settings with the mundane details of his hero's earthbound life, the movie gets lift-off from two thorough pros, Robert Preston, who makes the alien recruiter, Centauri, a planet-hopping cousin to The Music Man's Harold Hill, and Dan O'Herlihy, the alien copilot, who suggests a scaly Walter Brennan. Older fans will snicker, but kids and young teens will find this rite of passage absorbing, while their folks will savor Preston's brash charm. —Sam Sutherland

At the time of its original release in 1984, this modestly budgeted sci-fi excursion had the distinction of offering some of the first examples of purely computer-generated animation, an apt (and frugal) special-effects solution for a movie with a plot line rooted in computer games. Both the computer-generated visuals and the arcade game now look quaint, but writer-director Nick Castle's affable, good- hearted adventure holds up nicely, thanks to a clever premise—the title game is actually a test for prospective starship pilots, planted by embattled aliens under siege from an evil invader. When a restless teenager (Lance Guest) racks up an impressive score, he finds himself spirited away to the besieged planet and thrust into the midst of an intergalactic war. Apart from Castle's skill at contrasting his extraterrestrial settings with the mundane details of his hero's earthbound life, the movie gets lift-off from two thorough pros, Robert Preston, who makes the alien recruiter, Centauri, a planet-hopping cousin to The Music Man's Harold Hill, and Dan O'Herlihy, the alien copilot, who suggests a scaly Walter Brennan. Older fans will snicker, but kids and young teens will find this rite of passage absorbing, while their folks will savor Preston's brash charm. —Sam Sutherland

The best way to enjoy this 1997 thriller is to forget the much better film that inspired it (1973's The Day of the Jackal) and get whatever kicks you can from this heavy-metal remake. It's not bad as hokey thrillers go, but all of the original film's suspenseful finesse has been traded in (not traded up) for bigger, bolder action and nonsensical plotting. It's as if Hollywood had forgotten to create excitement without resorting to overblown action and heavy hardware, but there's ample compensation in the casting of Bruce Willis and Richard Gere. Willis is the elusive assassin known only as the Jackal, whose latest target (he uses a cannon-sized gun that's anything but inconspicuous) may be the first lady of the United States. Gere plays a former IRA terrorist who is recruited by the deputy head of the FBI (Sidney Poitier) to trace the Jackal's maneuvers, and Diane Venora offers some gutsy support as a Russian-born agent who assists Gere on his mission. The movie has fun turning Willis into a master of disguise, and Gere adds much-needed gravity to counter the plot's escalating absurdity, but this is the kind of film that falls apart if you think about it too much. Still, that doesn't stop the Collector's Edition DVD from offering an impressive array of bonus features, including a director's commentary, a "making of The Jackal" documentary, deleted scenes, an alternative ending, cast interviews, and more. —Jeff Shannon

The second theatrical film from the popular television show is better than the original surprise hit. Instead of delving into their rich fantasy life, the Rugrats gang goes on a real adventure when their families visit Paris together. Mr. Pickles is brought over to fix his giant Reptar robot, the centerpiece of EuroReptarland (a biting version of the trouble-plagued EuroDisney). The underlying story has Chuckie (the one with the square glasses) looking for a new mommy, as his dad (who has a square personality) starts to fall for a villainous executive (voiced by Susan Sarandon). Soon Paris takes it on the chin as the diaper gang tries to save Chuckie's dad from the altar. The success of the Rugrats is in the writing, where much thought goes into finding comic gems for the adults (there are wonderful parodies of The Godfather and King Kong that will sail over kids' heads). The garble-mouthed youngsters keep up their joyful ways in this 78-minute feature that feels no different from their Nickelodeon series except in length, some 3-D animation sequences, and an eclectic song score (with Cyndi Lauper's "I Want a Mom That Will Last Forever" the real catch). (Ages 6 and older) —Doug Thomas

James Spader stars as Joel Campbell, a former detective traumatized by the death of his lover at the hands of a serial killer he'd been hunting—a psychopath who has taken their combative relationship a little too personally, and has now tracked the retired Campbell down in Chicago. The killer, who methodically studies his victims before killing them, starts sending Campbell photographs of prospective victims and gives him a day to find them before they're killed. Campbell rises to the challenge, returns to his role as detective, and launches a comprehensive manhunt for the killer and the women in the photographs. The Watcher is surprisingly watchable—though it does suffer from an excessive use of arty cinematography. But while the psychological interpretation of the killer's behavior is a little too schematic to be convincing, the portrayal of Campbell is quite strong, particularly due to Spader's performance. A much-underrated actor, Spader is lean and efficient in his portrayal, rarely given to flashy histrionics, but compelling and emotionally complex. Unfortunately, the killer is played by Keanu Reeves; and though Reeves isn't as terrible an actor as some critics may say, he's out of his depth here. Still, Spader carries most of the movie, and the sequences in which the police are trying to track down the victims are nicely suspenseful—in fact, the movie is overall more interested in suspense than gore, making it a pleasant change from most contemporary thrillers. Also starring Marisa Tomei as Campbell's psychiatrist and budding romantic interest. —Bret Fetzer

James Spader stars as Joel Campbell, a former detective traumatized by the death of his lover at the hands of a serial killer he'd been hunting—a psychopath who has taken their combative relationship a little too personally, and has now tracked the retired Campbell down in Chicago. The killer, who methodically studies his victims before killing them, starts sending Campbell photographs of prospective victims and gives him a day to find them before they're killed. Campbell rises to the challenge, returns to his role as detective, and launches a comprehensive manhunt for the killer and the women in the photographs. The Watcher is surprisingly watchable—though it does suffer from an excessive use of arty cinematography. But while the psychological interpretation of the killer's behavior is a little too schematic to be convincing, the portrayal of Campbell is quite strong, particularly due to Spader's performance. A much-underrated actor, Spader is lean and efficient in his portrayal, rarely given to flashy histrionics, but compelling and emotionally complex. Unfortunately, the killer is played by Keanu Reeves; and though Reeves isn't as terrible an actor as some critics may say, he's out of his depth here. Still, Spader carries most of the movie, and the sequences in which the police are trying to track down the victims are nicely suspenseful—in fact, the movie is overall more interested in suspense than gore, making it a pleasant change from most contemporary thrillers. Also starring Marisa Tomei as Campbell's psychiatrist and budding romantic interest. —Bret Fetzer

Disc 1: LEGALLY BLONDE Disc 2: LEGALLY BLONDE 2: RED, WHITE, & BLONDE

"As Elvis might put it, you can't help falling in love with LILO & STITCH." — Claudia Puig, USA TODAY. Out-of-this-world storytelling, stunning Disney animation, and wild and irresistible characters are at the heart of Disney's hilarious new animated adventure. This worldwide box office sensation is a heartwarming comedy about the power of loyalty, friendship, and finding your place in the world. On the lush and tropical Hawaiian Islands, an independent little girl named Lilo adopts what she thinks is an innocent puppy, completely unaware that he is a mischievous creature who has escaped from a faraway planet. Stitch takes Hawaii by storm, wreaking havoc and hanging ten while he evades the alien bounty hunters who are bent on recapturing him. It's an action-packed comedy the whole family will enjoy over and over again.

Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. Ingredients from Beauty and the Beast, The Little Mermaid, and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary Oldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to brave the Enchanted Forest and retrieve the magic sword, and their adventure is (of course) fraught with danger. Adding extra punch to the movie's commercial appeal, the soundtrack songs are performed by big names like LeeAnn Rimes and Celine Dion. And if that's not enough to hold a kid's attention, there's a two-headed dragon ("we're the reason cousins shouldn't marry") voiced by Eric Idle and Don Rickles. With so much talent involved, it's entertaining but uninspired, although cleverly harmless riffs from Dirty Harry, Taxi Driver, and other movies spice up the adventure with enjoyable pop-culture references. —Jeff Shannon

Johnny Depp (Sleepy Hollow), Mary Stuart Masterson (Bed of Roses) and Aidan Quinn (Practical Magic) star in this wonderfully unique and delightfully offbeat romantic comedy. Joon (Masterson) is a little unbalanced. Sometimes, without warning, her sweet nature gives wayto odd behaviorincluding a penchant for setting fires! She lives with her older brother Benny (Quinn), who has spent his life taking care of her since their parents died. One night, while playing in a poker game with unusual stakes, Joon loses her hand...and wins Sam (Depp), a whimsical misfit who soon charms his way into Joon's heart. Now if they can only find the perfect mate for her overprotective brother.... With charm, humor and an outstanding supporting cast that includes Oliver Platt (A Time to Kill) and Julianne Moore (Hannibal), Benny & Joon is the perfect movie for everyone.

Make merry as Chevy Chase, Beverly D'Angelo, Randy Quaid and an ensemble of comedy favorites strive to gift-wrap the "perfect Christmas" for the Griswold family. The most successful of the three vacations. Year: 1989 Director: Jeremiah S. Chechik Starring: Chevy Chase, Beverly D'Angelo, Randy Quaid,