k5gg Tim Allen, Martin Short, JoBeth Williams America's favorite entertainer, Tim Allen, is at it again as commodities broker Michael Cromwell, king of the Wall Street jungle. With money, power, and an engagement to a beautiful fashion designer, he has it all. But when Michael travels to the Amazon to finalize the divorce from his first wife — a jungle doctor — she reveals that he also has a blowdart-shooting, giant-spider-carrying, 13-year-old son, Mimi-Siku. Cultures clash when Mimi is entrusted by his tribal chief to bring back fire from the Statue of Liberty. Back home in New York, Michael must somehow convince Mimi that pets are not for eating and it's not nice to chase people with your killer spider. But when Michael's partner (Martin Short) crosses a Russian mob boss in a coffee bean deal, Mimi and Michael must use all their jungle skills in a hysterical father/son rescue. Now you can bring home the hilarious new hit comedy adventure from the studio that brought you HOME IMPROVEMENT and the box office smash THE SANTA CLAUSE.

k5gg Roger Allers, Rob Minkoff Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrat crowd. —Tom Keogh

k5gg Kirstie Alley, Steve Guttenberg, Andy Tennant This first theatrical outing for the ubiquitous Olsen twins is their take on The Parent Trap meets The Prince and the Pauper. One plays a foster child under the care of a single social worker (Kirstie Alley) whose marital status prevents her from adopting her favorite charge. The other is the neglected daughter of a "bazillionaire" (Steve Guttenberg), who's about to marry a gold-digging socialite (played nastily by Jane Sibbett, Ross's first ex-wife on TV's Friends). The foster kid comes to a charity camp abutting the rich girl's summer estate and—presto—the identical strangers meet, hatch a plan to solve both their dilemmas, and switch identities. Directed by Andy Tennant (Ever After), this PG-rated film features some decent G-rated chemistry between Alley and Guttenberg and surprisingly uncloying performances by Mary-Kate and Ashley. The rating is for mild language. (Ages 5 and up) —Kimberly Heinrichs

k5gg Sean Astin, Josh Brolin You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners. Like in an old-fashioned Hardy Boys or Nancy Drew plot, the Goonies need to solve a problem: a corrupt corporate developer has bought out their neighborhood and plans to flatten all their homes. Luckily, the beloved gang stumbles on a treasure map. In the hopes of finding the treasure to buy back their houses, the Goonies embark on their quest through underground passages, aboard pirate ships, and behind waterfalls. This swashbuckling and rollicking ride was also a great breeding ground for a couple of child actors who went on to enjoy numerous successes in adulthood: Sean Astin (Rudy, Encino Man) and Martha Plimpton (Pecker, 200 Cigarettes). —Samantha Allen Storey

k5gg Bre Blair, Schuyler Fisk, Melanie Mayron

k5gg Don Bluth Set in 1939 New Orleans, this colorful, song-filled story centers on Charles B. Barkin, a roguish German Shepherd with the charm of a con man and the heart of a marshmallow. Out for revenge against his double-crossing former partner, a cigar-chomping pit bull known as Carface, Charlie finds himself guardian to a lonely little orphan named Anne-Marie. Her astounding ability to talk to animals leads this unlikely pair on an adventure packed with thrills, laughs, tears and true love.

k5gg Don Bluth, Gary Goldman Ranking just behind the best of animator Don Bluth's films (Anastasia and The Secret of NIMH), Thumbelina is a bubble-light version of Hans Christian Andersen's fairy tale. The finger-sized heroine goes about the old-fashioned trials of trying to find a good man, but the film is clever enough to make it endearing for the 3-6 set and more than passable for adult viewers. Barry Manilow provides much of the song score, which helps immensely. The ballad "Let Me Be Your Wings" is as good as Disney's best. Carol Channing and Charo have a good ol' time with their songs too. The voice of Thumbelina is none other than Jodi Benson, who gave voice to Ariel in Disney's The Little Mermaid. —Doug Thomas

k5gg Don Bluth, Gary Goldman Stomping out their usual cuteness and carbon copying Disney's grand animation style to a T, directors Don Bluth and Gary Goldman (An American Tail) create a successful musical comedy from the story of the lost Russian princess. Adapting the story of imperialism and revolution is tricky, and subsequently the film's opening is weak. Once Anya (voiced by Meg Ryan, sung by Liz Callaway) is a teenager and on her own (suffering from some degree of amnesia), the film is quite pleasing though never refreshingly new.

Twentieth Century Fox's big-money gamble to horn in on Disney's realm is worthy. The songs, especially the recurrent "Once Upon a December," by Broadway team Lynn Ahrens and Stephen Flaherty are better than Disney's recent efforts. It's worth picking up the soundtrack. The mix of cell animation and computer work is vivid. The collection of vocal talent is also strong, from John Cusack (as Dimitri, who wants to earn the reward by bringing Anya to Paris) to Hank Azaria as an amusing albino bat. Kelsey Grammer helps turn a roly-poly sidekick into a warm and strong supporting character.

The biggest drawback is Bluth/Goldman's insistence on having a typical villain. Surprisingly, the story would be strong enough without one, and the undead corpse of Rasputin (Christopher Lloyd) is unneeded and unoriginal. —Doug Thomas

k5gg Roy M. Brewer Jr., Donald Halliday, Clyde Geronimi Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character—how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. —David Kronke

k5gg John Bryant, Kimberly Rettberg, Igor Kovalyov, Norton Virgien The first theatrical film from the popular Nickelodeon TV series became the surprise hit of the 1998 holiday box-office crunch, trouncing the highly competitive kids market. The key ingredient to the Rugrats' success is the writing. Venturing into their first theatrical movie, the pals—including the intrepid diaper-wearing Tommy Pickles, the nervous Chuckie, the twins Lil and Phil, and the wonderfully prissy Angelica—garble English into funny prose ("I want those fugitives back in custard-y!") and use movie references in their fantasy life. The opening here is a dead-on spoof of Raiders of the Lost Ark.

The big news for the movie is that Tommy gets a new baby brother, named Dylan (or Dil for short). The rest of the film has no real plot but is a series of adventures as the clan gets lost in the forest riding an inventive Reptar wagon that is the '90s equivalent of Chitty Chitty Bang Bang. Parents search for the kids, the kids learn new lessons, everyone goes home happy. The Rugrats Movie is not as wildly appealing as A Bug's Life but is far goofier and wackier with its animation. There's also a tremendous sense of joy that is often missing from cartoons these days, and the songs used in the film—from such diverse musicians as Busta Rhymes, Iggy Pop, Lisa Loeb, Lou Rawls, Beck, and Devo—add to the fun. It's an acquired taste, but the creators' first efforts to take the 10-minute TV sketches into an 80-minute feature pay off.

The video contains a short (Winslow Doc) from Nickelodeon's series CatDog. Although the animation is similar, one can only hope the series does not reach the popularity of Rugrats. —Doug Thomas

k5gg Hendel Butoy, Mike Gabriel No, this isn't a quickie, direct-to-video sequel, cashing in on the success of the 1977 animated hit about adventurous mice, but a full-blown theatrical effort. This time around, Bernard (voiced by Bob Newhart) is trying to pop the question to Bianca (Eva Gabor) when they're summoned to Australia, where a young boy has been kidnapped by a pallid, gray-faced poacher (who looks like and is voiced by George C. Scott). Wilbur, a chatterbox of an albatross (John Candy, replacing the late Jim Jordan's character Orville), and Jake (Tristan Rogers), a kangaroo mouse—Bernard is jealous of the dashing rodent—assist the Rescuers in saving the day and imparting a mild environmental message. The film opens with an absolutely breathtaking aerial sequence—this was made near the beginning of Disney's animation renaissance—so impressive it would seem the story, literally, has nowhere else to go but down, but some smart gags, excellent animation, and rollicking adventures ensue. So why isn't it better known? It had the bad luck to open, in 1990, opposite another kids' film—Home Alone. —David Kronke

k5gg Nick Castle The Hank Ketcham comic strip about a mischievous boy named Dennis Mitchell (Mason Gamble) becomes a film directed by Nick Castle (The Last Starfighter) based on a weak script by John Hughes (The Breakfast Club). Gamble is fine and Walter Matthau is persuasive as the grouchy neighbor Mr. Wilson, but Hughes spoils everything by throwing in a formulaic subplot about a criminal (Christopher Lloyd) who doesn't know what he's getting into by abducting Dennis. Been there, done that. —Tom Keogh

k5gg Christine Cavanaugh, Cheryl Chase, Paul Demeyer, Stig Bergqvist The second theatrical film from the popular television show is better than the original surprise hit. Instead of delving into their rich fantasy life, the Rugrats gang goes on a real adventure when their families visit Paris together. Mr. Pickles is brought over to fix his giant Reptar robot, the centerpiece of EuroReptarland (a biting version of the trouble-plagued EuroDisney). The underlying story has Chuckie (the one with the square glasses) looking for a new mommy, as his dad (who has a square personality) starts to fall for a villainous executive (voiced by Susan Sarandon). Soon Paris takes it on the chin as the diaper gang tries to save Chuckie's dad from the altar. The success of the Rugrats is in the writing, where much thought goes into finding comic gems for the adults (there are wonderful parodies of The Godfather and King Kong that will sail over kids' heads). The garble-mouthed youngsters keep up their joyful ways in this 78-minute feature that feels no different from their Nickelodeon series except in length, some 3-D animation sequences, and an eclectic song score (with Cyndi Lauper's "I Want a Mom That Will Last Forever" the real catch). (Ages 6 and older) —Doug Thomas

k5gg Frederik Du Chau Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. Ingredients from Beauty and the Beast, The Little Mermaid, and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary Oldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to brave the Enchanted Forest and retrieve the magic sword, and their adventure is (of course) fraught with danger. Adding extra punch to the movie's commercial appeal, the soundtrack songs are performed by big names like LeeAnn Rimes and Celine Dion. And if that's not enough to hold a kid's attention, there's a two-headed dragon ("we're the reason cousins shouldn't marry") voiced by Eric Idle and Don Rickles. With so much talent involved, it's entertaining but uninspired, although cleverly harmless riffs from Dirty Harry, Taxi Driver, and other movies spice up the adventure with enjoyable pop-culture references. —Jeff Shannon

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k5gg Ron Clements, John Musker From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. —Keith Simanton

k5gg Eric Darnell, Tim Johnson A funny children's (& adult) cartoon movie.

k5gg David M. Evans An underrated actor, Sinbad is very good in this comedy-drama about a Secret Service agent who gets the thankless detail of guarding the president's bratty son. In time, the two become touchingly close, with Sinbad's character providing the kind of surrogate fathering the boy's ultra-busy dad can't give. The plot takes an inevitable turn toward greater drama when the young man is kidnapped, but director David Mickey Evans handles the whole thing very well, and the resolution makes for fairly satisfying action. But Sinbad's presence is an agreeably warm one—though he is also quite funny and original in early sequences when the prez's son is tormenting him—and makes this film surprisingly watchable. —Tom Keogh

k5gg Dave Foley, Kevin Spacey, Andrew Stanton Disney's cartoon comedy for the whole family.

k5gg Mike Gabriel, Eric Goldberg This is the original Walt Disney Pocahontas movie!

k5gg Clyde Geronimi, Hamilton Luske, Wilfred Jackson Disney's first animated feature in CinemaScope is now available in widescreen presentations on video, and it is definitely good to get the whole picture. One of the studio's most original and charming movies, the 1955 film tells the story of a rakish, street-smart dog named Tramp, who helps an aristocratic pooch named Lady out of some trouble and then commences a romance with her. Sweet, funny scenes abound, and the combination of innocence and sophistication would have done well in a live-action picture. Peggy Lee cowrote the songs and provides the voice of the Siamese cats in one of the film's best-known musical sequences. This newly restored version spruces up both sonics and visuals, and a letterbox version is available. —Tom Keogh

k5gg Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman Full of boundless adventure and boisterous fun, Disney's 17th animated masterpiece is the original film classic starring 101 of the world's most lovable, huggable Dalmatians and their hilariously evil captor, Cruella De Vil! A charming London neighborhood is home to Roger and Anita, whose beloved Dalmatians, Pongo and Perdita, have become the proud parents of 15 puppies. But when Cruella and her bumbling henchmen, Horace and Jasper, unexpectedly appear, the pups soon disappear — along with every other Dalmatian puppy in town! Now Pongo and Perdita must rally their animal friends and use the power of the "Twilight Bark" to find Cruella's secret hideaway and free the puppies. Featuring the unforgettable toe-tapping song "Cruella De Vil," 101 DALMATIANS is one of the most cherished and sought-after Disney classics of all time — and among the last films to bear the personal touch of Walt Disney.

k5gg Karl Geurs Believing in oneself is not always easy and it proves especially difficult for a bear of very little brain named Pooh and his friends when Christopher Robin mysteriously disappears from the Hundred Acre Woods one fall day. After charging Pooh Bear to remember that "you're braver than you believe, stronger than you seem and smarter than you think," Christopher Robin fails to appear in the woods the next morning. After mis-reading a honey-covered note from Christopher Robin, Pooh and his friends Rabbit, Tigger, Piglet, and Eeyore head out to find and rescue Christopher Robin from a forbidding place called "Skull." The journey is terrifying and difficult and each of the friends is besieged by insecurity about his apparent inadequacies. Rabbit begins to doubt his intelligence, Piglet his bravery, Tigger his strength, and Pooh his overall competence, but eventually the friends discover their inherent strengths and come to realize that perception plays a key role in fear and that the power of friendship can overcome even the biggest obstacles. (Ages 2 and older) —Tami Horiuchi

k5gg Donald Halliday, Wolfgang Reitherman Based upon T.H. White's beloved novel, this Disney-fied version chronicles the tutoring of the Once and Future King, Arthur, as handled by the magician Merlin. Sword was a portent of things to come, with slapstick upbraiding storytelling, and cultural in-jokes substituting for wonder. But there's much to enjoy here as Merlin shows Newt, the young Arthur, things that will help him become the ruler of the Britons. The transformation sequences, where the boy is turned into a fish, a bird, and a squirrel are vintage Disney. The oft-repeated scene of Merlin battling it out with the mean old Madame Mim still is worth a few chuckles, but it belies the problem with most of the film—the scenes are only there for the chuckles. References by Merlin to television and other items of modern life also mar the generally innocuous landscape. Children will like it, but they won't cherish it. —Keith Simanton

k5gg David Hand One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. —Tom Keogh

k5gg David Hand It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style—the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull—such is the fate of an Everydeer—his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. —Robert Horton

k5gg Amy Heckerling If nothing else, the powers that be behind this terrible sequel to the 1989 hit Look Who's Talking will be divinely punished for abusing John Lennon's "Jealous Guy" on the soundtrack. Until then, it's better to push memories of this movie to the back of one's memory. John Travolta and Kirstie Alley reprise their roles from the earlier film, but this time their married relationship is in trouble for sundry reasons. Adding to that complication is the arrival of a new baby (whined by Roseanne Barr) to join the previous one (quipped by Bruce Willis). Mel Brooks and Damon Wayans add their voices to those of some other kids, but this hastily patched-together follow-up wouldn't be funny no matter how may comic minds you threw in the mix. Between the shoddy script and miscasting of Barr, there's enough doom to go around in this thing, but an opening-credits sequence that manages, through crummy special effects, to turn a sperm's path toward an egg into a nauseating experience doesn't help. Stick with the original. —Tom Keogh

k5gg Jim Henson, Kathryn Mullen, Frank Oz Jim Henson's fantasy epic The Dark Crystal doesn't take place a long time ago in a galaxy far, far away, but like Star Wars it takes the audience to a place that exists only in the imagination and, for an hour and a half, on the screen. Recalling the worlds of J.R.R. Tolkien, Henson tells the story of a race of grotesque birdlike lizards called the Skeksis, gnomish dragons who rule their fantastic planet with an iron claw. A prophecy tells of a Gelfling (a small elfin being) who will topple their empire, so in their reign of terror they have exterminated the race, or so they think. The orphan Jen, raised in solitude by a race of peace-loving wizards called the Mystics, embarks on a quest to find the missing shard of the Dark Crystal (which gives the Skeksis their power) and restore the balance of the universe. Henson and codirector Frank Oz have pushed puppetry into a new direction: traditional puppets, marionettes, giant bodysuits, and mechanical constructions are mixed seamlessly in a fantasy world of towering castles, simple huts, dank caves, a giant clockwork observatory, and a magnificent landscape that seem to have leaped off the pages of a storybook. Muppet fans will recognize many of the voice actors—a few characters sound awfully close to familiar comic creations—but otherwise it's a completely alien world made familiar by a mythic quest that resonates through stories over the ages. —Sean Axmaker

k5gg Stephen Herek Unleashing every ounce of Disney magic, 101 DALMATIANS thrilled audiences of all ages with fast-paced adventure and comedy — featuring a brilliant performance by five-time Academy Award(R)-nominee Glenn Close as Cruella De Vil. Achieving new heights of hilarity, Disney's all-time classic puppy tale came to life as a worldwide box office sensation. In their small London flat, Dalmatians Pongo and Perdy, and their human "pets" Roger and Anita, are overjoyed by the arrival of 15 puppies. But when the spotted-fur-loving Ms. De Vil and her clumsy cohorts, Jasper and Horace, dognap the litter — along with every other Dalmatian pup in London — Pongo and Perdy must rally the town's animals to their rescue. The plan hurls them toward a thrilling climax filled with uproarious moments as the puppies attempt to outwit their captors and bring on a final showdown with Cruella! Packed with the largest and cutest collection of puppies ever brought to film, 101 DALMATIANS also features a superb cast of talented humans, including Jeff Daniels, Joely Ruchardson, and Joan Plowright. Now you can bring home Disney's live-action comedy hit, praised by critics as nothing short of "phenomenal!"

k5gg Gillian L. Hutshing, Lisa Day, Xavier Koller Get ready for nonstop action in this rousing tale of a Native American who defies incredible odds in his struggle for freedom! Squanto, a young warrior abducted from his homeland and enslaved must battle impossible hazards on a desperate journey home. Driven by a passion to be free, he risks everything to escape his captors, braving the wilderness and triumphing, finally, as a great leader. A vivid true story of one man's unquenchable thirst for independence, SQUANTO thrills with high-powered action and inspires with legendary courage!

k5gg Robert Iscove A prince, a pumpkin, a glass slipper ... history's most enduring fairy tale returns with a thoroughly modern twist! Beautifully produced and featuring an all-star cast, RODGERS & HAMMERSTEIN'S CINDERELLA shimmers to life in the most spectacular production ever of the classic musical — including three additional Rodgers & Hammerstein songs exclusive to this special Disney presentation! Pop sensation Brandy (TV's MOESHA) stars as the beautiful Cinderella, who suffers the torment of her wicked stepmother (Bernadette Peters) and spoiled stepsisters. Cinderella dreams of the impossible — going to the ball and dancing with the prince. Her impossible dream is realized when her fairy godmother (Whitney Houston) teaches her that with positive thinking and belief in yourself, "impossible things happen every day!" Also starring Jason Alexander (TV's SEINFELD) and Whoopi Goldberg (SISTER ACT), Disney's sparkling new version of RODGERS & HAMMERSTEIN'S CINDERELLA promises to be an instant classic. Now you can relive the magic anytime you wish!

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k5gg This is Disney's most magical musical animated adventure of all! An enchanting world where childhood last forever! Once you take heart to flight you never grow old!

k5gg Although at first glance it looks like a movie dreamed up by a marketing committee (and in some respects it probably was), Space Jam actually defies the odds against it to become a dazzling display of family entertainment. There's a kind of demented genius to the idea of casting NBA superstar Michael Jordan in a live-action and animated movie costarring the beloved characters from Warner Bros.' Looney Tunes cartoons. They play off each other like seasoned veterans of vaudeville, and Jordan never falls into the kind of awkward, amateurish showmanship that you might expect from a sports idol. He's comfortable in the cartoon land of his costars, who include Bugs Bunny and sexy newcomer Lola Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Sylvester & Tweety, Speedy Gonzalez, the Tazmanian Devil, Foghorn Leghorn, and Yosemite Sam. They've all been hijacked to an outer-space amusement park run by the Nerdlucks, who strike a Faustian bargain with the Looney heroes: if Bugs and Co. can defeat the Nerdluck "Monstars" in a basketball game, they'll win back their freedom; if they lose, they'll be doomed to stay there forever as enslaved entertainers. So they kidnap Jordan as their coach and "secret weapon" while the nefarious Nerdlucks suck out the basketball skills from such stellar victims as Charles Barkley and Patrick Ewing. It all leads to reckless abandon on the basketball court, and Bill Murray pops in for some hilarious support. Combining traditional animation and computer-generated Nerdlucks with its live-action cast, Space Jam was made in the anarchic spirit of the Looney Tunes cartoons, where anything goes as long as it's funny and off-the-wall (or the ceiling, or the door, or the floor...). Technically astounding, it's also witty enough to entertain adults and kids alike. —Jeff Shannon

k5gg You wouldn't know it by watching the mostly ridiculous escapades on display in Wild America, but this comedy/adventure for young boys is marginally based on the true story of Marshall, Mark, and Marty Stouffer, three young brothers who successfully pursued their dream of becoming wildlife filmmakers. From their home in the South, the Stouffer boys embark on a cross-country trek to the West, where they hope to get rare footage from inside the dreaded Cave of the Sleeping Bears. Along the way they encounter cute British tourist girls, deadly alligators, a rampaging moose, and an Air Force fighter on a bombing range. In other words, Wild America is about as contrived as it could possibly be and still claim to be based on reality, but it is harmless enough for young viewers with its wholesome message about bravery, hard work, and family togetherness. Jonathan Taylor Thomas (from television's Home Improvement) leads the young cast of adventurers. —Jeff Shannon

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k5gg A dinosaur adventure for the whole family!

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k5gg Boris Karloff, Thurl Ravenscroft, Ben Washam This all-time classic now has Horton Hears a Who! on the same video for a great double bill.

How the Grinch Stole Christmas
To heck with the kids—this is one of the best holiday presents you can give yourself. Adapted from the children's book by Dr. Seuss, this charming story is one to watch every holiday season. It is just edgy enough to help you forget the more cloying aspects of Christmas, yet it is also sweet enough to remind you of the reason for all that holiday cheer. Animation genius Chuck Jones directed this 1966 television production featuring the voice of Boris Karloff as the mean greenie. Bitter and selfish, the Grinch decides to steal Christmas away from the Whos, the sweet little folk who live at the bottom of his mountain home. When little Cindy Loo Who returns his hateful act with kindness, she melts the old miser's heart. There are many reasons to watch this: inventive wordplay, Karloff's impressive narration, and a very memorable soundtrack. —Rochelle O'Gorman

Horton Hears a Who!
Chuck Jones was chief animator on this lively adaptation of the famous book by Dr. Seuss. The story of a friendly elephant named Horton who discovers—deep inside a daisy—a tiny city called Whoville with tiny, intelligent residents—this film (fleshed out a bit from the source) is strong on character and has striking, appealing visuals. The little folks of Whoville, with their natural air of aristocracy, are a kick, and when they come to see Horton as a hero for his democratic view of all life big and small, the effect is quite touching. This should be a real treat for kids already familiar with the book, and just might inspire those who haven't read it to pick it up. —Tom Keogh

k5gg John Lasseter There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces—we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys reawaken the kid in us. Filmmaker John Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.

The 10th anniversary edition of the landmark film repackages most of the extras found in the original Ultimate Toy Box set plus a few more. Two keen retrospectives are new, one with an assortment of talents including Roy Disney and Peter Jackson chiming in on the film's impact. The other is a roundtable with Lasseter and three of the creators simply talking about the experiences without—thankfully—any cutaways to noisy film clips. There's a load of other extras since the Ultimate Toy Box was one of the first and best DVD sets. Missing (besides the second film, which will be released separately) is the effects- and music-only tracks. Added is a whopping DTS soundtrack along with a remixed Dolby 5.1 track. The DVD has a higher transfer bit rate for a better picture, but only high-end enthusiasts will notice it. Since the film is a digital-to-digital transfer, both versions are eye-popping. A must-have set unless you have the Ultimate Toy Box.

Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year—the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though—he believes he's the real Buzz Lightyear, not a toy. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. —Doug Thomas

The Pixar Feature Films

Toy Story, 1995A Bug's Life, 1998Toy Story 2, 1999Monsters, Inc., 2001Finding Nemo, 2003The Incredibles, 2004

k5gg Daniel Lee, Andrew Knight Obviously the Disney suits gave more than two figs about the legacy from the first Beast film, as they reassembled the former cast and spent some cash on production and tune-smithing for this straight-to-video effort. The events unfold between the time in the first film where Belle bartered herself to the Beast and her later return to the village to save her father. So the Beast's heart still hasn't been melted yet, and he's susceptible to the inky persuasions of Forte (Tim Curry), a malevolent pipe organ (and former music teacher to the prince). Belle is still trying to win over the Beast and decides that bringing Christmas to the castle will be the way to do it. Please control that gag reflex for this does work remarkably well, and though entirely unnecessary and certainly not a complement to the original, it doesn't tarnish its good name. —Keith Simanton

k5gg Les Mayfield Disney couldn't resist the temptation to remake 1961's popular comedy The Absent Minded Professor, so they cast Robin Williams as Professor Philip Brainard (a role vaguely related to the character originated by Fred MacMurray), and the result is a comedy that, frankly, doesn't fully deserve its modest success. It's admittedly clever to a point, and certainly the digitally "flubberized" special effects provide the kind of movie magic that's entertaining for kids and parents alike. The professor can't even remember his own wedding day (much to the chagrin of his fiancée, played by Marcia Gay Harden), and now his academic rival (Christopher McDonald) is trying to steal his latest and purely accidental invention—flying rubber, or ... flubber. The green goo magnifies energy and can be used as an amazing source of power, but in the hands of screenwriter John Hughes it becomes just another excuse to recycle a lot of Home Alone-style slapstick humor involving a pair of bumbling would-be flubber thieves. There's also a floating robot named Weebo and some catchy music by Danny Elfman to accompany dancing globs of flubber, but the story's too thin to add up to anything special. Lightweight fun, but, given the title, it lacks a certain bounce. Of course, that didn't stop Disney's marketing wizards from turning it into a home video hit. Jeff Shannon

k5gg Demi Moore, Gary Trousdale The misconception about this animated film from Disney was that it was a movie for kids—something Victor Hugo never had in mind. In fact, despite a cute brace of singing gargoyles who are Quasimodo's (Tom Hulce) best friends, this version of Hugo's classic tale is really adult entertainment, with a strong set of songs by Alan Menken. The story remains mostly the same (though tricked out with a happier ending than Hugo's): Quasimodo, the ward of repressive monk Frollo, falls for a gypsy girl named Esmerelda (Demi Moore)—though she loves one of the king's guards (Kevin Kline). But they are all put in jeopardy by the wicked Frollo, whose secret passion for Esmerelda leads him to seek her death. At times too dark and even a shade kinky, something that may scare younger viewers. —Marshall Fine

k5gg John Musker, Ron Clements Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). —Tom Keogh

k5gg Mary-Kate Olsen, Ashley Olsen, Stuart Margolin Olsen twins Mary-Kate and Ashley lead the battle of wits and wills to save their beloved ranch in the feature length comedy How The West Was Fun. Trying to sell the spread out from under them is bumbling, lower-than-a-snake's-belly scoundrel Bart Gifooley (Martin Mull).

k5gg Craig Pryce, Randy Bradshaw Carly Beth is quiet and shy — easily scared and overly trusting. She's never seen such a great Halloween mask — really scary, really creepy, and really life-like. She has to have it — to scare those boys who tease and humiliate her all the time! And when she does get it, the mask is every bit as weirdly spooky as she had hoped it would be. But wearing the mask seems to be causing strange things to happen to her and other people. Can the mask — the symbol of her revenge — be the cause of it all? What strange powers could a Halloween mask have? Unwilling to give up the mask, or to believe that it could be evil, she keeps on wearing it — only to discover one day that she can't take the mask off. Carly Beth and the mask have become one.

k5gg Craig Pryce, Randy Bradshaw While visiting London, Sue and her brother, Eddie, are out sightseeing on their own while their parents attend a business conference. At first bored, they are delighted when the bus stops at the infamous Terror Tower. But the fun turns to fright when the kids see the wax statues in the Tower's torture chamber moving as is they are real...and ghostly images start calling out warnings to them. Suddenly, Sue and Eddie are running for their lives as they travel back in time to the Middle Ages to escape the dark fate awaiting them in Terror Tower.

k5gg Craig Pryce, Randy Bradshaw When Margaret's dad gets fired from his job as a botanist, he begins acting weird and spending all his time in the basement. No one seems to notice his odd behavior or hear the strange noises coming from below — except Margaret. She's really scared. Has her father turned into a mad scientist? Her brother, Casey, thinks she's nuts — that is until he finds out that dad has been eating plant food! What is going on? Together Margaret and Casey venture down into the dark, creepy basement to unearth their father's spooky secret.

k5gg Craig Pryce, Randy Bradshaw When Grady's family moves out of the city and into a rickety old house in Fever Swamp, both he and his sister Emily find a lot to complain about. First of all, they have no friends, no neighbors and nothing to do. Then Grady meets the only other kid around, Will Blake, who tells him the legend of the swamp and about the werewolf responsible for the mysterious disappearances of many former residents. Although Grady is afraid the legend may be true, his parents and sister refuse to believe it...until the next full moon.

k5gg Craig Pryce, Randy Bradshaw Carly Beth and her friends find themselves in double trouble this Halloween! After last year's spook, Carly Beth buried her old haunted mask forever...or did she? This year Steve is determined to get himself a horrifying mask just like it so he can scare the neighborhood kids. At the last minute he encounters a stranger wearing Carly Beth's old mask who leads him to a deserted shop, where he steals one of the creepy masks in the basement. What he doesn't realize is that Carly Beth's old mask is alive and using both Steve and the shopkeeper to get her back. On Halloween night, evil brings both masks to life, bringing twice as much terror to their festivities.

k5gg Craig Pryce, Randy Bradshaw For Josh and Amanda, having to move to the remote, desolate town of Dark Falls was bad enough. But as soon as they moved into Dead House, things began to happen, things their parents couldn't see — a ghostly shape at the window, a shadow on the wall, the way their dog kept growling at strangers, the quiet, death-pale neighbor kids. Was it the chemical spill that made the people of Dark Falls so strange, or something far more sinister?

k5gg Bradley Raymond, Tom Ellery Disney's direct-to-video sequel to their 1995 hit places Pocahontas in harm's way in London, where she is almost tossed into jail and has some other mishaps. She's not alone, however: a cute raccoon named Meeko does a nice job as the obligatory funny animal. The songs are about as memorable as those in the first film, but the art and animation maintain far higher standards than most animated sequels dumped onto tape. If you don't drive yourself nuts thinking about the appalling historical revisionism at work here, this is passable family entertainment. —Tom Keogh

k5gg Jim Dale Helen Reddy, Don Chaffey This heartwarming musical blends animation and music to highlight the story of a young boy who is befriended by a delightful dragon. The film features charming performances from Mickey Rooney, Helen Reddy, Jim Dale, Shelley Winters, and the great Red Buttons. An ITA Award winner. Academy Award Nominations: Best Original Song ("Candle on the Water"), Best Original Song Score.

k5gg Richard Rich This excellent theatrical feature is loosely based on the Swan Lake story. Princess Odette, having been turned into a swan by a sorcerer's spell, is held captive at the enchanted lake with friends Jean-Bob the frog, Speed the turtle, and Puffin the bird. Along comes Prince Derek, who becomes involved in liberating her by taking on the villain. The movie has been criticized for being too similar to Sleeping Beauty, but once you're watching it—with its strong characters, entertaining vocal performances (John Cleese and Steven Wright are particularly funny), fine artwork, and action—such complaints are negligible. —Tom Keogh

k5gg Richard Rich This straight-to-video sequel to The Swan Princess concerns the kidnapping of Prince Derek's mother, a crime that lures the prince into danger himself. Princess Odette can save him—but only if she becomes a swan herself. Even given the lesser ambitions and budgets afforded direct-to-video sequels, it's hard to accept that this boxy, unexciting movie has the same director (Richard Rich) as the fine, first feature in the series. More like a Saturday-morning cartoon than a real film, this is a disappointment, though kids who couldn't care less about scale might get caught up in the story. —Tom Keogh

k5gg Richard Rich, Ted Berman

k5gg Arlene Sanford Jonathan Taylor Thomas stars as Jake, a shallow huckster attending college in Los Angeles who finds troubles aplenty and, eventually, redemption on a road trip home in this youth-oriented Christmas vehicle. The action begins with Jake dumped in the desert dressed in full Kris Kringle regalia as payback for a scheme gone wrong, making Taylor Thomas the second Home Improvement cast member to don a Santa suit for film. (The first, of course, was his TV dad Tim Allen in The Santa Clause, for those of you who snoozed through recent Christmases.) With Jake stuck in the dunes, his stranded girlfriend (Jessica Biel from TV's Seventh Heaven) accepts a ride from his rival and thus begin the cross-country shenanigans that lead to a Christmas sleigh ride in their shared New York hometown. Look for Gary Cole (a.k.a. Mike Brady in the movie version of The Brady Bunch) playing another wise father. Although it may be hard for adults to buy the diminutive Taylor Thomas as a college student (and what's with the high school lockers at the so-called college?), Taylor Thomas and Biel have plenty of swoon appeal for young fans 10 and up. —Kimberly Heinrichs

Henry Selick For those who never thought Disney would release a film in which Santa Claus is kidnapped and tortured, well, here it is! The full title is Tim Burton's The Nightmare Before Christmas, which should give you an idea of the tone of this stop-action animated musical/fantasy/horror/comedy. It is based on characters created by Burton, the former Disney animator best known as the director of Pee-wee's Big Adventure, Beetlejuice, Edward Scissorhands, and the first two Batman movies. His benignly scary-funny sensibility dominates the story of Halloweentown resident Jack Skellington (voice by Danny Elfman, who also wrote the songs), who stumbles on a bizarre and fascinating alternative universe called ... Christmastown! Directed by Henry Selick (who later made the delightful James and the Giant Peach), this PG-rated picture has a reassuringly light touch. As Roger Ebert noted in his review, "some of the Halloween creatures might be a tad scary for smaller children, but this is the kind of movie older kids will eat up; it has the kind of offbeat, subversive energy that tells them wonderful things are likely to happen." —Jim Emerson

k5gg Craig Shapiro Mary-Kate and Ashley get the royal treatment taking on the world in this exciting British adventure. They jet to London to represent their high school at an international competition of the Model United Nations, and have the time of their lives as they enjoy the thrill of competition and take in the sights of London by day and by night. Mary-Kate and Ashley are out on the town visiting the landmarks, wearing the hippest fashions, hanging out with the cutest guys and dancing at the hottest club. Winning minds, winning hearts, winning fun. Winning London!

k5gg Ben Sharpsteen, Bill Roberts, Ford Beebe, Hamilton Luske, James Algar Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain," "The Sorcerer's Apprentice," and "The Nutcracker Suite." The animation ranges from subtly delicate to fiercely bold. The screen bursts with color and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. —Rochelle O'Gorman

k5gg Toby Shelton, Alan Zaslove, Tad Stones This 1994, direct-to-video follow-up to Aladdin (it's actually four episodes of the Aladdin television program, back-to-back) is a wash-out compared to the Robin Williams-driven animation feature that kicked off the franchise. The story partially involves the villainous Jafar's parrot—Iago—trying to leave his master and befriend Aladdin and Jasmine. Williams is nowhere to be found, unfortunately; the genie's voice is provided by Dan Castellaneta, and the difference shows. —Tom Keogh

k5gg Ola Solum

k5gg David Steinberg Mary-Kate and Ashley star as soccer-playing sisters who scheme to trade teams by secretly trading places. But as the plan unfolds, there's chaos on and off the field. With clever schemes, hilarious mix-ups and non-stop action all part of the game, Mary-Kate and Ashley are in for some fancy footwork in their all-new feature-length movie!

k5gg Art Stevens, Richard Rich, Ted Berman The Fox and the Hound marked the last collaboration between Disney's older artists, including three of the "Nine Old Men" (Frank Thomas, Ollie Johnston, and Woolie Reitherman), and the young animators who would make the record-breaking films of the '90s. Based on a book by Daniel P. Mannix, the film tells the story of a bloodhound puppy and a fox kit who begin as friends but are forced to become enemies. Tod and Copper barely establish their friendship before Copper begins his training as hunting dog. Unfortunately, neither character develops much of a personality, which makes it difficult to care about them. The screen comes alive near end of the film, when Tod and Copper have to join forces to fight off an enormous bear. It had been years since Disney produced a sequence with this kind of feral power—and years would pass before they surpassed it. The Fox and the Hound ranks as one of the studio's lesser efforts, but it suggests that better films were soon to follow. (Ages 5 and older) —Charles Solomon

k5gg Tad Stones Robin Williams returns as the voice of the hyperactive genie in this, the second direct-to-video sequel to Disney's hit animated feature. Aladdin, the street beggar turned Prince, risks all to find his father among the cutthroat 40 thieves and joins his quest to find a Midas-like stone that turns everything it touches into gold. A significant cut above most made-for-video animation, this energetic adventure largely leaves Princess Jasmine and the genie behind for a father-and-son quest. Guest voice Jerry Orbach suggests Sean Connery with his thick-as-molasses delivery as the master thief Sa'luk and, despite his limited screen time, Williams once again delights with his wild flights of fantasy as the big blue Genie. A rousing tale full of last-minute escapes and spectacular, kid-sized thrills that even parents will find entertaining. —Sean Axmaker

k5gg Ron Underwood A heroic Disney movie.

k5gg Cotton Warburton, Robert Stevenson There is only one word that comes close to accurately describing the enchanting Mary Poppins, and that term was coined by the movie itself: supercalifragilisticexpialidocious! Even at 2 hours and 20 minutes, Disney's pioneering mixture of live action and animation (based on the books by P.L. Travers) still holds kids spellbound. Julie Andrews won an Oscar as the world's most magically idealized nanny ("practically perfect in every way," and complete with lighter-than-air umbrella), and Dick Van Dyke is her clownishly charming beau, Bert the chimney sweep. The songs are also terrific, ranging from bright and cheery ("A Spoonful of Sugar") to dark and cheery (the Oscar-winning "Chim Chim Cher-ee") to touchingly melancholy ("Feed the Birds"). Many consider Mary Poppins to be the crowning achievement of Walt Disney's career—and it was the only one of his features to be nominated for a best picture Academy Award until Beauty and the Beast in 1991. —Jim Emerson